Steampunk Atmospheric Diving Suit Statue, Steampunk Statues, Steampunk Tritonia Atmospheric Diving Suit Statue

Steampunk Atmospheric Diving Suit Statue, Steampunk Statues, Steampunk Tritonia Atmospheric Diving Suit Statue

Steampunk Tritonia Atmospheric Diving Suit Statue

Take your love of Steampunk style to new depths with this Steampunk Atmospheric Diving Suit Statue based on the first truly usable nautical scuba gear used in the 1930’s to explore the wreck of the sunken RMS Lusitania. Sculpted with great detail from its flexible joints to pressurized helmet, this high quality statue is hand-cast using real crushed stone bonded with durable designer resin, is cast exclusively in quality designer resin and hand painted in an antique brass finish. Steampunk style with rivets, joints, tubes and pincers, all highlighted by the antique brass finish, this diving suit will fit right in with your other neo-Victorian steampunk collectables. An Atmospheric Diving Suit (ADS) is a small one-person articulated submersible which resembles a suit of armour, with elaborate pressure joints to allow articulation while maintaining an internal pressure of one atmosphere. An ADS can enable diving at depths of up to 2,300 feet (700 m) for many hours by eliminating the majority of significant physiological dangers associated with deep diving. The occupant of an ADS need not decompress, and there is no need for special gas mixtures, so there is little danger of decompression sickness or nitrogen narcosis when the ADS is functioning properly. An ADS can permit less skilled swimmers to complete deep dives, albeit at the expense of dexterity.

Atmospheric Diving Suits in current use include the Newtsuit, Exosuit, Hardsuit and the WASP, all of which are self-contained hard suits that incorporate propulsion units. The Hardsuit is constructed from cast aluminum (forged aluminum in a version constructed for the US Navy for submarine rescue), the upper hull is made from cast aluminum, while the bottom dome is machined aluminum. The WASP is of glass-reinforced plastic (GRP) body tube construction. The underwater environment exerts major physiological stresses on the diver, which increase with depth, and appear to impose an absolute limit to diving depth at ambient pressure. An atmospheric diving suit is a small submersible with a pressure hull which accommodates a single occupant at an internal pressure of about one atmosphere. The provision of hollow arm spaces with pressure resistant joints to carry manually operated manipulators, and usually separate leg spaces, similarly articulated for locomotion, makes a suit resemble a bulky suit of plate armour, or an exoskeleton, with elaborate joint seals to allow articulation while maintaining internal pressure. Steampunk Tritonia Atmospheric Diving Suit Statue sizes: 3 inches/ 7.5 cm x 4 inches/ 10 cm x 8 inches/ 20.5 cm.


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Self Love Spirit Goddess Statue, Love & Symbolic Statues, Self Love Spirit Healing Goddess Statue

Self Love Spirit Goddess Statue, Love & Symbolic Statues, Self Love Spirit Healing Goddess Statue

Self Love Spirit Healing Goddess Statue

This Self Love Spirit Goddess Statue is made of 100% high-quality resin, solid, weighted well, moisture resistant and corrosion resistance, exquisite workmanship, does not fade. Exquisite workmanship and very realistic design will add a beautiful scenery to your spaces. Goddess Statue is an imaginative decorative art work for the home and office. The simple and generous geometric design of this creative goddess statue depicts the goddess of healing, hope, honor and harvest that represents the natural cycle of the sacred woman. Remind yourself or your loved one of the inner strength and beauty. Our light shines through the cracks and wounds of our bodies. Although the world is full of pain, we can also overcome it, this is a beautiful gift that reminds us of the light in our hearts. The expression self-love has the generic meaning of “self-love” understood as an autonomous behavior of respect for one’s human condition. It is a natural feeling to be evaluated positively since it is aimed at the self-preservation of the individual, “that strong affirmation that nature inspires us for ourselves“, but becomes a “negative principle, since, arising from the comparison with the others, is configured as a social feeling and is therefore subordinate to opinion… As soon as, in fact, one gets into the habit of measuring oneself with others and going out of oneself to assign oneself the first and best place, it is impossible not to feel aversion for everything that prevents us from being everything“.

Learning to love yourself is important to living happier and healthier in every aspect of your life. Loving yourself means accepting yourself as you are, in the present moment. And to do so it is also necessary to forgive yourself. In fact, it happens that we are overwhelmed by situations that we perceive beyond our control: in these cases, in psychology we speak of an external locus of control, which can also lead to learned helplessness. Anger, resentment, hatred, frustration, and guilt are just some of the emotions we might be turning to ourselves. All this often leads to a negative self-evaluation, so much so that it prevents us from forgiving ourselves. ‍Only by learning to become aware of who we are and to understand that making mistakes is normal and that imperfections belong to each of us, will we be able to forgive ourselves and love ourselves. The truth is, there is only one person you spend every second of every day of your life with: yourself. Learning to love yourself can be a long and complicated process, but it will also lead to greater freedom and self-awareness. Self Love Spirit Healing Goddess Statue sizes: 3.7 inches / 9.5 cm x 2.36 inches / 6 cm x 6.7 inches / 17 cm.


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Solar Face Symbol Statue, Symbolic Statues, Solar Face “Splendor or Glory” Wall Plaque Statue

Solar Face Symbol Statue, Symbolic Statues, Solar Face "Splendor or Glory" Wall Plaque Statue

Solar Face “Splendor” Wall Plaque Statue

This Solar Face Symbol Statue is an Inspirational Sun Art. Large metal Solar Face Wall Plaque decoration is unique, eye-catching color, bright, and cheerful style. Crafted of durable metal and high-grade paint coating, will not fade or rust under heat, sunlight, humidity, and rain. There is a hook on the back of the Sun wall decor for easy hanging. A Solar Symbol is a symbol representing the Sun. Common solar symbols include circles (with or without rays), crosses, and spirals. In religious iconography, personifications of the Sun or Solar Attributes are indicated by means of a halo or a radiate crown. When the systematic study of comparative mythology first became popular in the 19th century, scholarly opinion tended to over-interpret historical myths and iconography in terms of “solar symbolism“. This was especially the case with Max Müller and his followers beginning in the 1860s in the context of Indo-European studies. Many “Solar Symbols” claimed in the 19th century, such as the Swastika, Triskele, Sun Cross, etc. have tended to be interpreted more conservatively in scholarship since the later 20th century. The basic element of most solar symbols is the circular solar disk. The disk can be modified in various ways, notably by adding rays (found in the Bronze Age in Egyptian depictions of Aten) or a cross. In the ancient Near East, the solar disk could also be modified by addition of the Uraeus (rearing cobra), and in ancient Mesopotamia it was shown with wings. A representation of the sun is used as a heraldic charge.

The most usual form, often called Sun in Splendor or Glory, consists of a round disk with the features of a human face surrounded by 12 or 16 wavy and straight alternating rays. The alternating straight and wavy rays are often said to represent light and heat from the sun, respectively. It was used as a badge by Edward II of England and later adopted by Edward IV following the appearance of a parhelion or “Sun Dog” before his victory at the Battle of Mortimer’s Cross in 1461. It also had a meaning in alchemy and could be a symbol of the Roman deity Sol Invictus (Sun not Conquered). It is a common accusation in the heraldry of many countries, for example. Armstrong Bearings, Canada and Banbury City Council Arms, England. It also often appears as a rising sun as in the arms of East Devon District Council, England, and as a half sun as in the coat of arms of Aitchison, Canada. The May Sun shown on the national flags of Argentina (1818), Uruguay (1828), in the flag and shield of the state of southern Peru (1836 – 1839), on the flag and shield of the Peruvian-Bolivian Confederation (1836 – 1839), in the flag of Peru of 1812, in the current flag of the Peruvian Navy (1821), and in the current flag of the Argentine Army (1810) and which represents the indigenous Inca culture, in particular the Inca God of the SunInti” or also called “Sun of May“, all identical in form to the “Sun in Splendor“. Solar Face “Splendor or Glory” Wall Plaque Statue sizes: 21 inches / 53.5 cm x 1 inches / 2.5 cm x 21 inches / 53.5 cm.


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Old Treasure Map on Skull Statue, Pirates & Skulls Statues, Craniumography – Old Treasure Map on Skull Statue

Old Treasure Map on Skull Statue, Pirates & Skulls Statues, Craniumography - Old Treasure Map on Skull Statue

Craniumography – Old Treasure Map on Skull Statue

This Old Treasure Map on Skull Statue was made of cold cast bronze, a process of mixing bronze powder with resin, giving the piece a lustrous metallic bronze finish. Depicts a secret pirate treasure map and navigation symbols carved into an old skull, giving it the look of an ancient relic, using the Craniography technique, the study of the skull using photographs and drawings made from measurements of the configuration of the skull and the relations of its angles and craniometric points. Pirates are known to be sly, especially when it comes to treasure. Who would think to carve a map leading the way to buried treasures? A pirate, of course! Sure to keep you on course on your next treasure seeking adventure, this skull bears a secret map and shows where treasure might be hidden, though it may already have been raided.

A Treasure Map is a map that marks the location of buried treasure, a lost mine, a valuable secret or a hidden locale. More common in fiction than in reality, “pirate treasure maps” are often depicted in works of fiction as hand drawn and containing arcane clues for the characters to follow. Regardless of the term’s literary use, anything that meets the broad definition of a “map” that describes the location of a “treasure” could appropriately be called a “treasure map“. Over the years many people have claimed to have discovered maps and other clues that led to pirate treasure, or claim that historical maps are actually treasure maps. Craniumography – Old Treasure Map on Skull Statue sizes: 6 inches / 15 cm x 4.25 inches / 10.5 cm x 4.5 inches / 11.5 cm.


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Steampunk Darth Vader Statue, Steampunk, Movies & Star Wars Statues, Steampunk Darth Vader “Star Wars: The Empire Strikes Back” Industrial Empire Statue

Steampunk Darth Vader Statue, Steampunk, Movies & Star Wars Statues, Steampunk Darth Vader "Star Wars: The Empire Strikes Back" Industrial Empire Statue

Steampunk Darth Vader “Star Wars: The Empire Strikes Back” Industrial Empire Statue

This Steampunk Darth Vader Statue is a uniquely Steampunk interpretation of Darth Vader based on an original illustration by Adi Granov. Standing triumphantly, Darth Vader takes on a uniquely steampunk appearance in the work entitled “Industrial Empire”. World-renowned artist Adi Granov created this exclusive illustration in collaboration with Lucasfilm! Reimagined in this iconic style, the Dark Lord of the Sith appears in a forbidding pose, arm outstretched and encased in a battle-worn suit embellished with metal plating, rivets and various pressure gauges. Masterfully recreated in 3D form, the sculptor have captured every nuance of this illustration down to the fine details of the lightsaber hilt and environmental base. The Empire Strikes Back (Star Wars: Episode V – The Empire Strikes Back) is a 1980 American epic space opera film directed by Irvin Kershner, with a screenplay by Leigh Brackett and Lawrence Kasdan, based on a story by George Lucas. The sequel to Star Wars (1977), it is the second film in the Star Wars film series and the fifth chronological chapter of the “Skywalker Saga“. Set 3 years after the events of Star Wars, the film recounts the battle between the malevolent Galactic Empire, led by the Emperor, and the Rebel Alliance, led by Princess Leia.

Luke Skywalker trains to master the Force so he can confront the powerful Sith lord, Darth Vader. Following Star Wars’ success, Lucas hired Brackett to write the sequel. Following her death in 1978, he outlined the whole Star Wars Saga and wrote the next draft himself, before hiring Raiders of the Lost Ark (1981) writer Kasdan to enhance his work. To avoid the stress he faced directing Star Wars, Lucas handed this responsibility to Kershner and focused on expanding his special effects company Industrial Light & Magic instead. Filmed from March to September 1979, in Finse, Norway, and Elstree Studios in England, The Empire Strikes Back faced production difficulties, including actor injuries, illnesses, fires, and problems securing additional financing as costs rose. Initially budgeted at $8 million, costs had risen to $30.5 million by the project’s conclusion. Released on May 21, 1980, the highly anticipated sequel became the highest-grossing film that year, earning approximately $401.5 million worldwide. Unlike its predecessor, Empire was met with mixed reviews from critics and fans conflicted over its darker and more mature tone compared to the light-hearted Star Wars. Critics praised the puppeteered character Yoda, a diminutive alien that serves as Luke’s teacher, for having expressive features and characterization.

The film was nominated for various awards and won 2 Academy Awards, 2 Grammy Awards, and 1 BAFTA, among others. Subsequent releases have raised the film’s worldwide gross to $538-549 million and, adjusted for inflation, it is the 13th highest-grossing film in the United States and Canada. In the years since its release, Empire has been critically reassessed and is now regarded as the best film in the Star Wars series and among the greatest films of all time. It has had a significant impact on filmmaking and popular culture and is considered an example of a sequel superior to its predecessor. The climax, where Vader reveals he is Luke’s father, is often ranked as one of the greatest plot twists in cinema. The film spawned a variety of merchandise and adaptations, including video games and a radio play. The United States Library of Congress selected it for preservation in the National Film Registry in 2010. Return of the Jedi (1983) followed Empire, concluding the original Star Wars trilogy. Prequel and sequel trilogies that round out the “Skywalker Saga” have since been released. Steampunk Darth Vader “Star Wars: The Empire Strikes Back” Industrial Empire Statue sizes: 6 inches / 15 cm x 5 inches / 13 cm x 12.4 inches / 31.5 cm.


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Wings of Horus Altar Side Table Statue, Egyptian & Symbolic Statues, Winged Sun Altar Side Table Statue

Wings of Horus Altar Side Table Statue, Egyptian & Symbolic Statues, Winged Sun Altar Side Table Statue

Wings of Horus Altar Side Table Statue

This Wings of Horus Altar Side Table Statue is a creative combination of style and function. The rich details, from red sun disk to cobra snakes, look wonderful. High-quality egyptian decor, hand-cast using real crushed stone bonded with durable designer resin, this Wings of Horus side table is hand painted in faux gold and the rich tones of the Egyptian palette and topped with a glass table top. Horus the Falcon God spreads his wings as a 360° statue, awe-inspiring from any angle beneath a 19.5 inches / 49.5 cm diameter, bevel-edged glass table top secured by a steady fulcrum pivot. Egyptian God Horus, one of the most significant Egyptian deities, Horus is the God of the Sky, war and hunting. He is often depicted as a falcon or a man with the head of a falcon. Since Horus was said to be the sky, he was considered to also contain the Sun and Moon. Egyptians believed that the Sun was his right eye and the Moon his left, and that they traversed the sky when he, a falcon, flew across it. Later, the reason that the Moon was not as bright as the Sun was explained by a tale, known as The Contendings of Horus and Seth. In this tale, it was said that Set, the patron of Upper Egypt, and Horus, the patron of Lower Egypt, had battled for Egypt brutally, with neither side victorious, until eventually, the gods sided with Horus. As Horus was the ultimate victor he became known as ḥr.w wr “Horus the Great“, but more usually translated “Horus the Elder“. In the struggle, Set had lost a testicle, and Horus’ eye was gouged out.

The Winged Sun is a symbol that likely existed even before the Egyptian civilization. Archeologists have found carved winged suns in ancient stones, making this symbol one of the first recorded in human history. In Egyptian tradition, the Winged Sun appeared in the Old Kingdom, and it remained important throughout the history of this culture. The representations of this symbol show it as its name indicates, a sun or solar disk in the center with spread wings on either. In many cases, the Winged Sun also had Egyptian cobras flanking it. This symbol represented royalty, power, and divinity in Ancient Egypt, but it also held significance in other eastern regions like Anatolia, Mesopotamia, and Persia. Due to its associations with the sun, the Winged Sun was linked to the Sun God Ra. However, it’s most common associations were with Horus. At the start, the Winged Sun was the symbol of the Behdety, the God of the Midday Sun. In later times, this god became an aspect of Horus, so the Winged Sun was associated with him. When combined with Behdety, he became known as Horus of Behdet or Horus of Edfu. Since Horus was the protector of the kingship and a divine ruler, the Winged Sun had associations with these traits too. In the terrible fight between Horus and Set for the rule of Egypt, Horus flew to battle and opposed Set in the form of the Winged Sun. The most famous representation of the Winged Sun is still present in the Temple of Edfu.

In its female form, the Winged Sun represented the Goddess Hathor. Apart from the symbolism given by its connection with Horus and the Sun, the Winged Sun represented other important concepts for the Egyptians. The symbol became an amulet of protection over time. Since Horus had defeated the mighty antagonist Set in the form of the Winged Sun, this symbol became associated with protection against evil. From the Middle Kingdom onwards, the Egyptians used the Winged Sun as an amulet in tombs and in the sarcophagi of the pharaohs for protection. In Ancient Egypt, the Winged Sun was a symbol of the Power of the Sun, Royalty, the Soul, and Eternity. In this sense, the Winged Sun became an attribute of different deities in the myths. Its veneration in Ancient Egypt grew more famous by the millennia. This symbol was deemed as holding many powers and was related to the eternal fight between good and evil, light, and darkness. The Winged Sun shed light over the world and protected the skies and the Universe against those who wanted to cause pain and suffering. The Sun itself was a symbol of nourishment, power, and life. Without the Sun, Life could not exist the way it does, and the world would be immersed in eternal darkness. This idea strengthens the symbolism of the Winged Sun and the Goodness of the World. Winged Sun Altar Side Table Statue sizes: 19.5 inches / 49.5 cm x 19.5 inches / 49.5 cm x 19.5 inches / 49.5 cm.


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Inca Chief Priest’s Ceramic Mask Statue, Symbolic Statues, Sapa Inca Ceramic Mask Statue

Inca Chief Priest's Ceramic Mask Statue, Symbolic Statues, Sapa Inca Ceramic Mask Statue

Inca Chief Priest’s Ceramic Mask Statue

The creation of this Inca Chief Priest’s Ceramic Mask Statue follows a long tradition of ceramic craftsmanship, using techniques that have been preserved for generations. The natural quality of the wood in this piece is showcased by the care put into carving it. The care taken to paint this piece shows in the details of the design. In a splash of blazing color, the visage of an Inca Chief Priest springs to life. This mask fervently mixes creative geometric forms with bright South American images generating an exciting feeling of movement and activity. Bringing into the home a touch of ancient Peruvian sacredness, this mask makes an intriguing wall adornment. The Sapa Inca was conceptualized as divine and was effectively head of the state religion. The Willaq Umu (or Chief Priest) was second to the emperor. Local religious traditions continued and in some cases such as the Oracle at Pachacamac on the Peruvian coast, were officially venerated. Following Pachacuti, the Sapa Inca claimed descent from Inti, who placed a high value on imperial blood, by the end of the empire, it was common to incestuously wed brother and sister. He was “Son of the Sun“, and his people the intip churin, or “Children of the Sun“, and both his right to rule and mission to conquer derived from his holy ancestor.

The Sapa Inca also presided over ideologically important festivals, notably during the Inti Raymi, or “Sunfest” attended by soldiers, mummified rulers, nobles, clerics and the general population of Cusco beginning on the June Solstice and culminating 9 days later with the ritual Breaking of the Earth using a foot plow by the Inca. Moreover, Cusco was considered cosmologically central, loaded as it was with huacas and radiating ceque lines as the geographic center of the Four-Quarters. Inca Garcilaso de la Vega called it “the Navel of the Universe“. Scholarly research demonstrates that Incan belief systems were integrated with their view of the Cosmos, especially in regard to the way that the Inca observed the motions of the Milky Way and the Solar System as seen from Cusco, the Inca capital whose name meant the center of the earth. From this perspective, their stories depict the movements of constellations, planets, and planetary formations, which are all connected to their agricultural cycles. This was especially important for the Inca, as they relied on cyclical agricultural seasons, which were not only connected to annual cycles, but to a much wider cycle of time (every 800 years at a time). This way of keeping time was deployed in order to ensure the cultural transmission of key information, in spite of regime change or social catastrophes. Sapa Inca Ceramic Mask Statue measures: 11.5 inches / 29 cm x 4.7 inches / 12 cm x 2.6 inches / 6.5 cm.


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God Zeus Statue, Greeks, Gods & Symbolic Statues, God Zeus Holding Thunderbolt Statue

God Zeus Statue, Greeks, Gods & Symbolic Statues, God Zeus Holding Thunderbolt Statue

God Zeus Holding Thunderbolt Statue

God Zeus Statue crafted by master artisan using high quality designer resin and cold cast bronze method, the casting method of mixing bronze material and resin together in order to create detailed statues with metallic surface. Zeus was the sky and thunder god in ancient Greek Religion, who ruled as King of the Gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus’s stomach. In most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Hebe, and Hephaestus. At the Oracle of Dodona, his consort was said to be Dione, by whom the Iliad states that he fathered Aphrodite. A Thunderbolt or Lightning Bolt is a symbolic representation of lightning when accompanied by a loud thunderclap. In Indo-European mythology, the thunderbolt was identified with the “Sky Father“, this association is also found in later Hellenic representations of Zeus and Vedic descriptions of the vajra wielded by the God Indra. It may have been a symbol of cosmic order, as expressed in the fragment from Heraclitus describing “the Thunderbolt that steers the course of all things“. In its original usage the word may also have been a description of the consequences of a close approach between 2 planetary cosmic bodies, as Plato suggested in Timaeus, or, according to Victor Clube, meteors, though this is not currently the case.

As a divine manifestation the Thunderbolt has been a powerful symbol throughout history, and has appeared in many mythologies. Drawing from this powerful association, the thunderbolt is often found in military symbolism and semiotic representations of electricity. Zeus’s Lightning Bolt (Thunderbolt or Master Bolt) is the signature weapon and symbol of power for the Olympian God of Thunder, Zeus. It is said to be the most powerful and feared weapon on Earth and in the Heavens. It was created for him by the Cyclopes and Hecatoncheires in Tartaros, in conjunction with Poseidon’s Trident and Hades’ Helm of Darkness to defeat the Titans. During the Titanomachy, when Zeus was at war against Cronus and the Titans, he released his brothers, Hades and Poseidon, along with the Cyclops and Hecatoncheires. In turn, the Cyclopes gave Zeus the thunderbolt, a weapon of lightning that was imbued with the power over the sky. The thunderbolt became a popular symbol of Zeus and continues to be today. Zeus and Zeus alone uses the Thunderbolt (unlike the Trident which is used not only by Poseidon, Amphitrite and Triton). While Typhon and Zeus are doing battle, Zeus throws a lightning bolt at Typhon which threw him to a mountain. Zeus, quickly regaining strength, tossed one hundred Lightning Bolts at Typhon, killing him. He then threw his remains into Tartatus. God Zeus Holding Thunderbolt Statue measures: 10.8 inches / 27.5 cm x 8 inches / 20.5 cm x 14 inches / 35.5 cm.


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Steampunk Horse Statue, Animals, Horses and Steampunk Statues, Steampunk Mechanical Gaited Horse Statue

Steampunk Horse Statue, Animals, Horses and Steampunk Statues, Steampunk Mechanical Gaited Horse Statue

Steampunk Mechanical Gaited Horse Statue

This amazing Steampunk Horse Statue exhibit a prancing horse features a Steampunk style design, with the body of the horse made of gears, steam pipes, tubes and metal shafts. Crafted of cold cast resin, the statue features a metallic bronze finish, with hand painted accents to add to the intricate steampunk styling. It’s a perfect focal point for any Steampunk art collection, and makes a great gift especially for horse lovers. A Gaited Horse is a horse that moves each leg independently. Doing so allows one foot to constantly be on the ground, allowing the horse to conserve more energy than they would while trotting. Gaited Horses are used for traveling as they have greater stamina and endurance. A gaited horse will traditionally have a 4-beat gait. When walking, each foot will fall individually, following a precise pattern. Most gaited horses follow a pattern of right hind, right front, left hind, left front or right front, left hind, left front, right hind. Upon closer observation, this pattern should be rather obvious. Additionally, when you watch a gaited horse walk from the side, you will notice that both legs on one side will move forward simultaneously. The rear foot will always fall before the front foot. Steampunk Mechanical Gaited Horse Statue sizes: 9.25 inches / 23.5 cm x 4.5 inches / 11.5 cm x 9 inches / 23 cm.


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Steampunk Elephant Statue, Animals, Elephants & Steampunk Statues, Steampunk Mechanical Elephant Statue

Steampunk Elephant Statue, Animals, Elephants & Steampunk Statues, Steampunk Mechanical Elephant Statue

Steampunk Mechanical Elephant Statue

This awesome Steampunk Elephant Statue is was crafted by master artisan using high quality designer resin and cold cast metal method. Cold cast bronze is the casting method of mixing metal material and resin together in order to create detailed statues with metallic surface. Elephants exhibit mirror self-recognition, an indication of self-awareness and cognition that has also been demonstrated in some apes and dolphins. One study of a captive female Asian elephant suggested the animal was capable of learning and distinguishing between several visual and some acoustic discrimination pairs. This individual was even able to score a high accuracy rating when re-tested with the same visual pairs a year later. Elephants are among the species known to use tools. An Asian elephant has been observed modifying branches and using them as flyswatters. Tool modification by these animals is not as advanced as that of chimpanzees. Elephants are popularly thought of as having an excellent memory. This could have a factual basis, they possibly have cognitive maps to allow them to remember large-scale spaces over long periods of time. Individuals appear to be able to keep track of the current location of their family members. Scientists debate the extent to which elephants feel emotion. They appear to show interest in the bones of their own kind, regardless of whether they are related.

As with chimps and dolphins, a dying or dead elephant may elicit attention and aid from others, including those from other groups. This has been interpreted as expressing “concern“, however, others would dispute such an interpretation as being anthropomorphic, the Oxford Companion to Animal Behaviour (1987) advised that “one is well advised to study the behaviour rather than attempting to get at any underlying emotion”. Elephants can exhibit bouts of aggressive behaviour and engage in destructive actions against humans. In Africa, groups of adolescent elephants damaged homes in villages after cullings in the 1970s and 1980s. Because of the timing, these attacks have been interpreted as vindictive. In parts of India, male elephants regularly enter villages at night, destroying homes and killing people. Elephants killed around 300 people between 2000 and 2004 in Jharkhand while in Assam, 239 people were reportedly killed between 2001 and 2006. Local people have reported their belief that some elephants were drunk during their attacks, although officials have disputed this explanation. Purportedly drunk elephants attacked an Indian village a second time in December 2002, killing 6 people, which led to the killing of about 200 elephants by locals. Steampunk Mechanical Elephant Statue sizes: 8 inches / 20 cm x 4 inches / 10 cm x 6 inches / 15 cm.


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Eve with Coiling Serpent Statue, Symbolic, Religious & Christianity Statues, Eve Holding Apple with Coiling Serpent Statue

Eve with Coiling Serpent Statue, Symbolic, Religious & Christianity Statues, Eve Holding Apple with Coiling Serpent Statue

Eve Holding Apple with Coiling Serpent Statue

This Eve with Coiling Serpent Statue is beautifully created in cold cast bronze, a process of mixing bronze powder with resin giving it a stunning solid metal appearance. Hand detailed with red and green colored accents giving to Eve and to the Serpent a visually exciting look. Depicts a bare Eve as she contemplates eating the forbidden fruit and being led astray by the serpent as it coils around her, enticing her to take a bite. You will not certainly die, says the serpent, but Eve knows to be wary the temptation of the forbidden fruit. Designed by world-famous artist James Ryman, this attractive statue depicts a bare Eve, standing in the garden, holding a red apple in her hand as the serpent coils itself up her body, enticing her to eat it, whispering temptations as she gazes into its eyes. Serpents are referred to in both the Hebrew Bible and the Christian New Testament. The symbol of a serpent or snake played important roles in religious and cultural life of ancient Egypt, Canaan, Mesopotamia and Greece. The serpent was a symbol of evil power and chaos from the underworld as well as a symbol of fertility, life and healing. Nāhāš, Hebrew for “snake“, is also associated with divination, including the verb form meaning “to practice divination or fortune-telling“.

Nāhāš occurs in the Torah to identify the serpent in the Garden of Eden. Throughout the Hebrew Bible, it is also used in conjunction with Seraph to describe vicious serpents in the wilderness. The Tannin, a dragon monster, also occurs throughout the Hebrew Bible. In the Book of Exodus, the staves of Moses and Aaron are turned into serpents, a Nāhāš for Moses, a Tannin for Aaron. In the New Testament, the Book of Revelation makes use of ancient serpent and the Dragon several times to identify Satan or the Devil (Rev 12:9; 20:2). The serpent is most often identified with the hubristic Satan, and sometimes with Lilith. The story of the Garden of Eden and the fall of man represents a tradition among the Abrahamic religions, with a presentation more or less symbolical of certain moral and religious truths. In the Hebrew Bible, the Book of Genesis refers to a serpent who triggered the expulsion of Adam and Eve from the Garden in Eden (Gen 3:1-20). Serpent is also used to describe sea monsters. Examples of these identifications are in the Book of Isaiah where a reference is made to a serpent-like dragon named Leviathan (Isaiah 27:1), and in the Book of Amos where a serpent resides at the bottom of the sea (Amos 9:3).

Serpent figuratively describes biblical places such as Egypt (Jer 46:22), and the City of Dan (Gen 49:17). The prophet Jeremiah also compares the King of Babylon to a serpent (Jer 51:34). Serpent occurs in the Book of Revelation as the “ancient serpent” or “old serpent” used to describe “the dragon“, Satan the Adversary, who is the devil. This serpent is depicted as a red 7-headed dragon having 10 horns, each housed with a diadem. The Serpent battles Michael the Archangel in a War in Heaven which results in this devil being cast out to the earth. While on earth, he pursues the Woman of the Apocalypse. Unable to obtain her, he wages war with the rest of her seed (Revelation 12:1-18). He who has the key to the abyss and a great chain over his hand, binds the serpent for a thousand years. The serpent is then cast into the abyss and sealed within until he is released (Revelation 20:1-3). In Christian tradition, the “ancient serpent” is commonly identified with the Genesis Serpent and as Satan. This identification redefined the Hebrew Bible’s concept of Satan (“the Adversary“, a member of the Heavenly Court acting on behalf of God to test Job’s faith), so that Satan/Serpent became a part of a divine plan stretching from Creation to Christ and the Second Coming. Eve Holding Apple with Coiling Serpent Statue sizes: 3.5 inches / 9 cm x 3 inches / 7.5 cm x 8 inches / 20 cm.


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Military Aviator Owl Steampunk Statue, Animals, Owls, Steampunk & Military Statues, Military Flying Ace Aviator Owl Steampunk Statue

Military Aviator Owl Steampunk Statue, Animals, Owls, Steampunk & Military Statues, Military Flying Ace Aviator Owl Steampunk Statue

Military Flying Ace Aviator Owl Steampunk Statue

Prepare to take flight in the airship filled skies with this Military Aviator Owl Steampunk Statue. Created through a process called cold bronze casting, which uses a mix of bronze powder and resin, the resulting statue is reliably durable and incredibly detailed. The finer details of this little aviator’s rig are hand painted with copper and brass enamels, to really bring the figure to life. This adventurous owl makes for the perfect desk companion. A Flying Ace, fighter ace or air ace is a military aviator credited with shooting down 5 or more enemy aircraft during aerial combat. The exact number of aerial victories required to officially qualify as an Ace is varied, but is usually considered to be 5 or more. The concept of the “ace” emerged in 1915 during World War I, at the same time as aerial dogfighting. It was a propaganda term intended to provide the home front with a cult of the hero in what was otherwise a war of attrition. The individual actions of aces were widely reported and the image was disseminated of the ace as a chivalrous knight reminiscent of a bygone era. For a brief early period when air-to-air combat was just being invented, the exceptionally skilled pilot could shape the battle in the skies. For most of the war, however, the image of the ace had little to do with the reality of air warfare, in which fighters fought in formation and air superiority depended heavily on the relative availability of resources.

Use of the term Ace to describe these pilots began in World War I, when French newspapers described Adolphe Pégoud, as l’As (the ace) after he became the first pilot to down 5 German aircraft. The British initially used the term “star-turns” (a show business term). The successes of such German ace pilots as Max Immelmann and Oswald Boelcke were much publicized, for the benefit of civilian morale, and the Pour le Mérite, Prussia’s highest award for gallantry, became part of the uniform of a leading German ace. In the Luftstreitkräfte, the Pour le Mérite was nicknamed Der Blaue Max/The Blue Max, after Max Immelmann, who was the first pilot to receive this award. Initially, German aviators had to destroy 8 allied aircraft to receive this medal. As the war progressed, the qualifications for Pour le Mérite were raised, but successful German fighter pilots continued to be hailed as national heroes for the remainder of the war. The few aces among Combat Aviators have historically accounted for the majority of air-to-air victories in military history. Military Flying Ace Aviator Owl Steampunk Statue sizes: 2.75 inches / 7 cm x 4 inches / 10 cm x 4.25 inches / 11 cm.


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